★ "With crisp dialogue, crisper editing and a dynamic use of film and video, Tec creates characters who evoke both desire and disgust." —The Philadelphia Inquirer
★ "An ending so inspired, so totally revealing that the effect is all the more stinging for having come out of left field. It is also so cinematic you would never have guessed that Tec, in an especially adroit feature debut, had adapted it from his 1994 play, A BETTER BOY." —Los Angeles Times
★ "Neither self-righteous nor bombastic, these wide-ranging mini-tales coast on a gently insistent tone of regret. Without pointing fingers or naming names, Mr. Tec reminds us that change does not happen overnight." —The New York Times
★ "What is reality anymore? That is the question asked in various ways in Roland Tec's highly disturbing and wonderfully thought-provoking piece, A NAGGING FEELING BEST NOT IGNORED." —Front Row Center
★ "As both playwright and director, Tec easily handles the task of keeping the monologues active and engaging. His writing is rich, giving his actors great material to work with... THE WRECK BEHIND US beautifully explores the trappings of fame and the desire to love and be loved."" —Showbusiness Weekly
★ "One of the sharpest, sexiest and most amusing satires of gay life and values ever filmed." —Los Angeles Times
★ "Roland Tec shows that without question he is a playwright with considerable promise... Tec has a way of writing very exciting material, teasing the audience, and providing scenes brimming with quiet sadism a bit reminiscent of Pinter." —The Village Voice
★ "Blind Trust an opera with a big twist... you can't see anything but you can hear and smell it... get tossed into an odyssey through Boston, accompanied by soundscapes and piped in fragrances." —Cambridge Chronicle
★ "In this lighthearted and entertaining way, the serious issues of truthfulness, credibility, appearances versus reality and the misuse of language for purposes of concealment are all explored." —The Boston Herald
★ "With crisp dialogue, crisper editing and a dynamic use of film and video, Tec creates characters who evoke both desire and disgust." —The Philadelphia Inquirer ★ "An ending so inspired, so totally revealing that the effect is all the more stinging for having come out of left field. It is also so cinematic you would never have guessed that Tec, in an especially adroit feature debut, had adapted it from his 1994 play, A BETTER BOY." —Los Angeles Times ★ "Neither self-righteous nor bombastic, these wide-ranging mini-tales coast on a gently insistent tone of regret. Without pointing fingers or naming names, Mr. Tec reminds us that change does not happen overnight." —The New York Times ★ "What is reality anymore? That is the question asked in various ways in Roland Tec's highly disturbing and wonderfully thought-provoking piece, A NAGGING FEELING BEST NOT IGNORED." —Front Row Center ★ "As both playwright and director, Tec easily handles the task of keeping the monologues active and engaging. His writing is rich, giving his actors great material to work with... THE WRECK BEHIND US beautifully explores the trappings of fame and the desire to love and be loved."" —Showbusiness Weekly ★ "One of the sharpest, sexiest and most amusing satires of gay life and values ever filmed." —Los Angeles Times ★ "Roland Tec shows that without question he is a playwright with considerable promise... Tec has a way of writing very exciting material, teasing the audience, and providing scenes brimming with quiet sadism a bit reminiscent of Pinter." —The Village Voice ★ "Blind Trust an opera with a big twist... you can't see anything but you can hear and smell it... get tossed into an odyssey through Boston, accompanied by soundscapes and piped in fragrances." —Cambridge Chronicle ★ "In this lighthearted and entertaining way, the serious issues of truthfulness, credibility, appearances versus reality and the misuse of language for purposes of concealment are all explored." —The Boston Herald